Friday, May 6, 2016

"adVice City", Philadelphia

Have you ever had your own love explained to you, face to face?

Has your teenager ever sat you down and said, "Mom, Dad, I can tell how much you love me because..." and given you an accurate, heartfelt list of reasons?  Or has your sister ever looked you in the eyes, held your hand and explained how much the cookies and late night phone calls mean to her? It's not that she feels gratitude for the gifts you give, but that she sees how they are not always easy to give but you do it anyway?

Until I thought about it just now, I had never considered that very unique perspective on love.  Not that "I love you," which is huge and important and difficult, but that "you love me," which, whether or not we believe it, carries a similar weight.

This has been a rough week in the O.  It's been a rough few weeks for those of who are studying for finals and giving and taking standardized tests.  It's been crazy for teachers getting laid off and wondering how or if they will find new jobs.

And artists are preparing for outdoor gigs because the weather is warm.  If you're Jabee and Jeff Mims and Allie Lauren and probably a dozen other artists, you played two or three shows in three or four days. And it was beautiful, like being on tour or something.  Many are simultaneously putting out new projects (#BlackFuture) while the Arts Festival gets rained out and we wear shorts in public for maybe the first time this season at Norman Music Festival.


Somehow I managed to keep it together through all of that.  I was selective about which shows I attended and I got myself some rest, so I could be my best for the main events - L.T.Z. on the main stage in Norman and Jabee's NMF After Party.

There were a couple of rough spots at work, a couple more while trying to make my side hustles pay me.  But Saturday night, April 23, I felt fulfilled like I hadn't in a while.  For the last five years, NMF has been one of those things.



I don't remember the first time Jabee told me "I love you" before I walked away, but it touched me. Even now, at least a year or two later, the words come often but unexpectedly and my heart grows a size every time.
That Saturday night, Beetyman said it too, while giving me one of those "good hugs" that he's famous for.
Even Frank Black kissed my cheek, and said, "Love you, sis."

Maybe they knew I would need it soon, to hold onto, like the last few dollars before payday, or getting your pink slip. 

The week in between "Festival Week" and "Doomed Tuesday" May 3rd, I tested all my tenth graders, had a heart to heart with an ex, hosted a youth poetry workshop, hung out with my out-of-town boss, threw a kickback for artists only at my house on a school night til 3 am, drove to Tulsa and back twice, and had a heart to heart with two more exes.
Yep, that was 3 exes total.

Disclaimer on that topic: when I'm talking about love, none of the guys that I've mentioned in this post (prior to the exes) are or ever have been lovers.  They have always just been acquaintances or friends. 

As a girl who has only had short relationships, guys either A) don't ever tell you they love you, or B) don't mean it for very long afterward (if they ever did).

"Doomed Tuesday" was a bad day from its start. I woke up as my first class was beginning.  I was tired, flustered, and embarrassed.  Then I spent my planning period arguing via text message with a friend and an ex about a project we were working on. I came home and hammered out an assignment for my boss that was 3 days overdue.  Then I went to my next bit of business.

I don't have blood siblings. But I feel like I've heard enough stories and watched enough movies to know that sometimes there is no avoiding a fight.

It was just that perfect storm kind of day. I picked a huge fight with Tony because I was having a bad day, a bad week, a bad life.  He told me this, when the fight was dying down,  and I heard him but could not internalize his words because I was exhausted, freezing, seething, and a butthole.
I should have been screaming at my ex.  He was the one I was really angry at.  I was mildly annoyed by Tony just like I'd imagine everyone gets with their younger sibling.  "Mildly annoyed" does not warrant the way I screamed.

But they say we treat worst the ones we love most. 

There are so many parts of our conversation and argument that I don't remember.  It was a couple of hours long.  One minute we were screaming, the next minute he was trying to rationally explain why I should back down, apologize, walk away.  But I'm nothing if not stubborn.  He was the one being rational.  The one being yelled at. The one being loved. 


He told me he knew I was struggling with something, that I walked in the room with it.

I told him that I had to say how I felt and if he didn't want to be friends with me anymore afterward, then that was his prerogative.
I promise, I thought I was right at the time. Or at least right enough to win. Because that's what teachers and big sisters and brainiacs do: win arguments.

Listening to understand when Tony talks is sometimes a daunting task.  He has a lot of words and a lot of wisdom and a lot of a jokes.  So, I have no earthly clue how exactly we arrived at this point in the conversation.  But I remember that he tried to appeal to my reason and my heart from every angle he could think of, and there were several.

He said something like, "you have something against me, but you also love me a lot."
"I can't even really wrap my head around how you love me.  It's a thing I don't understand."
"I've wondered if anything would ever make us stop being friends. I could only think of one thing and this wasn't it."

So I was standing there, in "adVice City,", Philadelphia while my "little brother" told me all about myself.
About how much I loved him.
About how much I was carrying that I ought to let go of.

And I couldn't hear it.
He predicted that too.  At least three times in that conversation, he said, "this will hit you later. "
And he was so right.

It's hard to be wrong. Harder still to be better seen by someone you've mistreated.  Hardest yet to figure out how to live with the knowledge that you don't really deserve to be forgiven for pushing and pushing and pushing, for projecting and hurting and judging.

But Tony knows I love him.

And he has taught me the hardest lesson I've learned in five years, since the first time hip hop saved my life.
"You can never unring a bell."
It hurts right now not a fraction less than it did when Tony finally walked away from me hurting and angry and worn down.

If me loving people means consistently wounding them deeply, then I probably ought to just stop here.
I'd already made this decision about intimate love and given up on having it inside 10 years, if ever.  But I truly did not believe I would sink so low as to so deeply wound my friends. When they weren't so very wrong. While they tried to talk me down.

Wednesday, I took the day off to cry and sleep and mope.  I had decided that after we released Black Future, and I performed the poem at a few shows, I would fall completely off the map.  I wouldn't speak unless spoken to, or give any unsolicited opinions.  I would not tweet or comment on anyone's Instagram or Facebook. I would write whatever I thought and felt, until the silence became deafening, until words became sunbeams through storm clouds,/ rare, miraculous,/ necessary.  I would do penance with silence for as long as I had to until I learned to value every single sound my voice could make.  Until a whisper felt like a shout scraping my throat on its exit.

I would do those things, if I lived past the last day of school.
"Here you go, TeaZee, any time you need some inspiration listen to this cd."
I accidentally watched the video of Lupe Fiasco with Big Krit and Dee-1.
Then I watched "Hip Hop Saved Me."
Then "Beautiful Lasers (2 Ways)."

"Don't admit that your faith is weak
If you feel you don't wanna be alive,
you feel just how I am...
This world is such a fucked up place
My mind, such a fucked up shape
Everything down here sucks
Maybe what's up there is great
We all gotta go one day
I just wanna cut to the chase
I wanna stop these nightmares
I just wanna touch your face...
Don't keep tellin' me to find a reason
Anything to keep me from squeezing
The simplest things like,
'You really like summer, you really like music,
you really like reading.'
Love...
my heart been broke for a while
yours been the one keepin' me alive."

My knees buckled as I cried in my kitchen.
I was mad at my ex, who I would have once called my best friend.  But five years ago, when that friend was too busy and life felt just as daunting and impossible and I could not figure out how to keep living, Jabee's and Beety's and Tony's hearts were keeping me alive.  Three years ago when I thought I had loved again, and I had a first date at the release of Slow Narrations of L.T.Z., but it crashed and burned, Tony's heart was keeping me alive.  Last year, when I was so desperate for love that I was planning to marry a stranger, Tony thought I was wrong but supported me and his heart was keeping me alive.

Now who will?
I don't deserve a replacement for him.
I just hope he doesn't truly convince himself that he was wrong about how much I love him. He was not wrong.  He usually isn't.

Back when everything was beautiful and nothing hurt. Thanks for that line and the t-shirt, Jabee. 

As if it were enough:
I'm sorry,
I do love you differently than any other person in my "Whole Life,"
Guilty, silent, hurting in "adVice City", Philadelphia

Tuesday, April 12, 2016

#NaPoWriMo 4

HOME 

Hope opens my eyes.
you are a nomad.
my heart is planted firmly 
between Houston and Oklahoma City.
anything outside of those 400 miles 
is just visiting.
Your gypsy feet 
can kick off dust 
where ever there are paint brushes and stars.
my southern heart finds itself 
pulled by what ever tide you're  closest to at any time. 
You forced me to walk on the moon.
now I hate gravity.
What used to look like depravity 
wraps me in its blanket of wanderlust.
I can't trust my hands to touch you.
just the pull of your irises 
pulls the truth out of the lie this is.
every word from your throat 
is afloat on the waves of our past,
passed up like a love note
dropped on the floor,
dropped out of a song.
it's been so long since our breaths 
formed the rhythms and melodies 
your chest was too small to hold all of.

Hope opens my ears.
you always draw your edges with black ink, lead others to think 
you're more firmly linked 
to darkness than light.
I fight each impulse 
to shadow my brightness,
to downplay my likeness to tradition.
Ever since I met you 
you've been doodling on my Bible pages.
I have cringed away from your desecration,
begged you to see black and white.
you just keep smearing gray, red and green 
on top of my scriptures,
trying to paint me a clearer picture of holy,
Wholly devoted to the whole me,
the whole me that the old you 
could not officially hold onto. 

Hope opens monotonous evenings. 
you're not perfect.
 you freeze when there's nothing to lose 
and loosen your grip 
at the wrong moment
to slip into a life you didn't choose.
You're strong.
a pillar, a roof,
You lift and cover and surround.
but you're not brave.
you never exchange broken certainties
for a chance at being whole.
You save shards and scraps 
When the parts in your lap 
just needed your arrangement
to change them into a home.

Hope opens my eternity.
I tried to keep at least three feet between us.
your voice kept throwing sparks 
off my brick walls.
We walked all the way to goodbye 
before your flame engulfed me 
Resculpting the scars 
you'd drawn on years ago.
Although the glow from your kiln has cooled 
I am not fooled into thinking 
those sparks cannot start a blaze 
that would sear off every false claim,
Raise up a hellfire 
to strip us of our names,
force us to admit 
that burning is only bad 
if you're consumed.
and people like us two
 have lived in the yellow heat for so long 
it's time to make our home in the blue.
grip the wick 
til the pain licks all colder cares away

#NaPoWriMo 10

Tell Me 

As the rain pitter patters on the pavement 
Would you whisper everythings to my spirit?
Tell me again 
How you shake foundations 
And change the temperature of atmospheres
In order to stabilize my days
Tell me how you created me to phase like the moon,
How your hands pulled rays from the sun,
Taught the rushing tides to go and come
In tune with my life blood and womb.

As the thunder rumbles above the rooftops, 
Don't stop the mumbles of your voice to my heart.
Remind me how the wind blows to move me,
How the clouds give me shade.
Wash me in the evening rain.
Let the pain run off my brow in rivulets,
And the shame rinse from hands in clumps.
I will trust you for fresh water 
that makes the rivers rush.

As lightning flashes across a grey backdrop,
Would you show my third eye 
what it cannot see without you?
Show me our home on a mountain,
Where I touch clouds like stroking your cheek.
Show me the place by the ocean
Where my feet chase the sunset 
At the line where sand and salt meet.
Show me the rainforest trees
Whose branches I grip like your hands.

And hold me til then.
Calm the storm in my belly.
Soothe me
Show me
Tell me

#NaPoWriMo 12

Mindfucked part 2

It's complicated to live in a body 
that longs for warm fingertips 
And breath on my neck or under my head.
But to hold a heart 
That would rather keep its distance 
From all but half a dozen names. 

You can keep your logic and dissenting opinion. 
Keep your dirt and hunger 
And any other obligations. 
I only want your lips on my cheek
And spine,
Your hands on my knee and thigh.
Sneak up my skirt 
Like junior high shy,
Like you're still in awe of what's inside. 

I'm tired of living in a body
That swells and dampens in the wrong places
At the wrong times.
While operating from a mind
Cast into shadow
By imagining all the ways 
This could fail to satisfy. 

So make it magic. 
Spellbind the parts of my brain that matter
Before sending any signals to the receptors that can feel.
Convince me your touch is a medicine
So that I can heal.

Monday, November 30, 2015

Buy Me Books (poem, 2015)

I don't like people
Buy me books

Or 
I only like people who write books,
People whose life books,
Whose struggle look like art,
Who tear apart notepads,
Rip through beats.
Only pay attention 
To pens, pencils, and sheets
Only care
For mics, stages, and fleek,
People I need front row tickets to see,
People like me:
With no home just a binding.
All the scriptures wrapped up
To bind me
To humans who don't like me
But who write me love,
Write me beautiful,
Write me always here for ya.
Write me
Tryna find me
SUNGLASSES SO THE B.S. DON'T BLIND ME.
Tryna give me,
So you can get you,
Become one of those people
I don't like,
Don't like me.
Don't mind me.
Just use me
As a path to the cross,
A laugh for the lost,
A cast for broken hearts.
So you know,
So you grow,
So you can live
Through whatever techno lens 
Is the biz 
when you know who you is
Before you're too old 
to impress the critics.


Friday, November 20, 2015

Sold Separately

They say "the dream is free, but the hustle is sold separately."
I've got bad news: the hustle is still cheap, and fulfillment is sold separately.
And to be honest, fulfillment - while not cheap - is affordable, but balance is sold separately.
Balance is expensive but attainable. Loyalty is sold separately.

Thursday, November 12, 2015

Frozen Heart (poem, 2015

(Inspired by someone who's been hurt 
And by the movie Frozen)

He hates people thinking he’s crazy
Such a relative term
When you don’t know why.
When his hand is bleeding but he can’t feel it.
When his girlfriend is crying and he didn’t mean it.

Unmelting snowflake 
Floating in a pot of black coffee.
We expect him to cool off our heat,
Play the role of cream,
Make everything sweeter.

They don’t know he’s frozen.
Doesn’t like the word “broken,”
Because ice is “stronger than one,
Stronger than ten, 
Stronger than a hundred men.”

One moment he was driving,
Pushing back the line. 
Then the sky went black at noon
And he was sliding down a mountain
Towards a tomb glimpsed way too soon.
Now he’s clutching at redemption
From the tailspin hell-bent on killing him too.

Brakes won’t grip.
Knowledge of right and wrong won’t stick.
Can’t slow his descent into the abyss.

I fling him an ice pick
Beg him to “strike for fear”
Hard enough to anchor the spirit.
“Strike for love”
What’s left behind is enough.
He’d never frighten innocence if he could help it.
Would cradle beauty in his palm if he could feel.
I watch from my tower of isolation
Praying he’ll find the strength in his arm
To split the ice apart.


Muscles bunched
To destroy or save.
All we can do is wait.
Either way,
We know he’ll break the frozen heart.